![]() ![]() Be ready.”Įarlier in the day, participants of Drama Room - the dedicated TV strand of the Transilvania festival’s industry arm - pitched five series in development to an audience of industry guests. Take the time, find the right shows and write those stories. Challenged by a Romanian screenwriter in attendance about the slow growth of streaming investment in her own country, Iacob nevertheless cautioned patience. That success, however, hasn’t been replicated elsewhere in the region. “The whole way that people think and talk about drama series in Poland has changed in the last five years.” It’s dramatically different, and that has had a significant effect on the production community,” he said. “The premium drama market in Poland now has 12, maybe 15 series a year. Just five years ago, Young noted, HBO Europe was the only player in the country. Netflix, which opened its Central and Eastern Europe headquarters in Warsaw last year, has produced 40 original local Polish films and series to date, leading a crowded market that includes Canal Plus, SkyShowtime, NENT Group’s Viaplay, TVN Discovery-owned Player and Disney Plus, which also launched a Warsaw office last year. The booming Polish market is perhaps the most encouraging sign for an Eastern European industry looking to join the global TV conversation. “We all are praying that ‘Spy/Master’ is the success that it deserves, and it will prove that this part of the world…can deliver great stories.”įriday’s conversation in Transilvania also included screenwriter Geo Doba, vice president of the alumni network for the Berlin-based Serial Eyes TV writing program, and Marta Habior, a producer at No Sugar Films in Poland. “Let’s be honest: It is difficult for a Romanian show to cross borders,” said Gabriela Iacob, head of scripted content development at Romanian broadcaster PRO TV. ![]() The challenge is how to make local content that travels but retains its authenticity.” “On the other hand…there’s no question that people need local content. “We are looking at a time when money is shorter for the big streamers,” said Johnathan Young, the former VP of original programming and commissioning editor for Central and Eastern Europe at HBO Max. At the same time, Netflix and other global streaming services have likewise rethought a business model that prioritized spending on premium content to attract subscribers - a decision sparked in part by a revolt from investors eager to push the platforms toward profitability. The move sent shockwaves across a region where HBO Europe was long one of the leading commissioners and co-producers, and where local broadcasters have struggled to marshal the resources necessary to produce premium drama series for the international market. ![]() ![]() Discovery announced last year it will no longer produce original HBO Europe scripted content for the streaming service in the Nordics, Central Europe, the Netherlands and Turkey. OL8475466W Page_number_confidence 92.06 Pages 342 Partner Innodata Pdf_module_version 0.0.7 Ppi 300 Rcs_key 24143 Republisher_date 20210208131643 Republisher_operator Republisher_time 658 Scandate 20210204183327 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780340728505 Tts_version 4.“Spy/Master,” a six-part drama series set during the Cold War that dropped its final episode last week, is one of the last productions from Central and Eastern Europe for Max, after parent company Warner Bros. Access-restricted-item true Addeddate 15:01:03 Boxid IA40057212 Camera USB PTP Class Camera Collection_set printdisabled External-identifier ![]()
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